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| last updated: November 11, 2006 |
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  Revolutions Happen Like Refrains in a Song* *(Or rather, are declared as often): Amidst a State of Dependence, A New Philippine Cinema is Born. Alexis Tioseco challenges notions of independence in the burgeoning Philippine cinema. 
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 Monster!: I survive through other people’s memories. Thai critic Graiwoot Chulphongsathorn hasn't forgotten the Thai premiere of "Tropical Malady". He recreates the experience for us in this detailed analysis of Joe's mysterious work. 
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 Uruphong Raksasad: Self-sufficiency moviemaking If there are such things as 'Otop films', Uruphong Raksasad's documentaries about his northern hometown are their prime specimen
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 Mysterious Objects: On the early works of Apichatpong How did a haircut create an opportunity for a first time filmmaker? Criticine reprints an early article by Bioscope editor Suparp on the early works of Joe.
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 Gazing with Fresh Eyes Over a year has passed since Gertjan Zuilhof presented his S.E.A. Eyes At the IFFR. Here, he takes a moment to reflect on recent rumblings. 
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 Journal Entry No.3: End Credits Raya Martin gathers his things and packs up, sending us his final journal entry as a Cinefondation resident.
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