Today is Saturday, November 22, 2014
 
05.17.12
We've just launched 'Issue Six' of Criticine, a curated series of articles, interviews and reviews that explore films and film-makers from the ...
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Ben and May

08.03.10
Criticine contributor. academic and critic Benjamin McKay died of a cardiac arrest on the 18th July. Much-loved by students and friends Benjamin will be sorely missed.

Ben and May

07.01.10
Hello.

We've just posted an update to Criticine: Love Letters. Four new letters declare love to objects of desire from the Phillipines, Indonesia, Thailand and Malaysia. Then we have a wide-ran...
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Ben and May

01.28.10
Welcome to Criticine. Welcome to Love Letters.

Criticine was founded in October 2005 by Alexis A. Tioseco and was "dedicated to pushing forth intelligent discourse on Southeast Asian cinema". ...
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May Ingawanij

01.05.10
Update coming soon...

Ben Slater

List all articles from this country:

 


The Face of Auntie Jen
The transformative power of cinema is explored by Richard Lowell MacDonald as he gazes at one of Apichatpong's most distinctive performers. Jenjira Pongpas.


Continuities: Philippine cinema yesterday and today
Filipino filmmaker Raymond Red considers his work and Filipino cinema's history and future in an in-depth interview with Gaik Cheng Khoo.


You can never go home
To mark his tenth year in Singapore, Ben Slater presents seven fragments about nostalgia in the films of Royston Tan
MORE FEATURES / INTERVIEWS
A Conversation with Edwin
Only light and memory
A Conversation with Sasithorn Ariyavicha pt.2
A Conversation with Ato Bautista
A Conversation with Kong Rithdee
A Conversation with Lav Diaz
A Conversation with the Editors of Bioscope Magazine
A Conversation with Faozan Rizal
A Conversation with Sasithorn Ariyavicha pt.1
A Conversation with John Torres
Words from that day
A Conversation with Philip Cheah
Continuities: Philippine cinema yesterday and today
A Conversation with Amir Muhammad
A Conversation with Pen-Ek Ratanaruang
A Conversation with Apichatpong Weerasethakul
Whose Terror Is It Anyway?
Indonesian Cinema: A Year in Review
The Trail of A Million Flowers
Uruphong Raksasad: Self-sufficiency moviemaking
Reimagining Moroland: A tale of accidental filmmaking
Voices of Malaysian Cinema
Toward New Ways of Seeing Southeast Asian Cinema
Journal Entry No.1: Anticipations of Light
Revolutions Happen Like Refrains in a Song*
Plural Identities: Reinventions & Revisions in Malaysian Cinema
Gazing with Fresh Eyes
Journal Entry No.3: End Credits
Alexis links
Cinema Regained: Classic Filipino Films in Rotterdam
Coming Out of the Film School Closet
Why and for whom do you write/work today?
Notes Made in the Dark
The Face of Auntie Jen
Speech Acts – Censorship and Documentary Filmmaking in Singapore
Journal Entry No.2: Wherever You Prosper
Mysterious Objects: On the early works of Apichatpong
Why and for whom do you film today?
Singapore GaGa Tours Singapore
Rethinking Cinemas of Asia: Preliminary Thoughts
Art, Entertainment and Politics
You can never go home
Love Letters
Monster!: I survive through other people’s memories.

Be With Me
Khoo Gaik Cheng samples Cannes favourite Eric Khoo's lastest, "Be With Me"
Country: Singapore
   
Agonistes
Wiwat Lertwiwatwongsa AKA Filmsick tackles an extract from a work-in-transformation by Lav Diaz
Country: Philippines
   
Rabun
The vision is blurred, but the heart is clear: Hassan Muthalib offers an appreciation of Yasmin Ahmad's "Rabun".
Country: Malaysia
   
Mukhsin
In this extract from his article on the Malaysian director for the book Glimpses of Freedom, the late Benjamin McKay explores what makes Mukhsin so distinctively a Yasmin Ahmad film.
Country: Malaysia
   
Singapore Shorts DVD
Do you remember The Class of 2002? Ben Slater does, and tells us about it and its impact while dissecting the freshly released Singapore Shorts DVD compilation.
Country: Singapore
   
 

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