Today is Sunday, December 17, 2017
 
05.17.12
We've just launched 'Issue Six' of Criticine, a curated series of articles, interviews and reviews that explore films and film-makers from the ...
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Ben and May

08.03.10
Criticine contributor. academic and critic Benjamin McKay died of a cardiac arrest on the 18th July. Much-loved by students and friends Benjamin will be sorely missed.

Ben and May

07.01.10
Hello.

We've just posted an update to Criticine: Love Letters. Four new letters declare love to objects of desire from the Phillipines, Indonesia, Thailand and Malaysia. Then we have a wide-ran...
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Ben and May

01.28.10
Welcome to Criticine. Welcome to Love Letters.

Criticine was founded in October 2005 by Alexis A. Tioseco and was "dedicated to pushing forth intelligent discourse on Southeast Asian cinema". ...
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May Ingawanij

01.05.10
Update coming soon...

Ben Slater

List all articles from this country:

 


Alexis links
To mark the anniversary of Alexis' death, Ben Slater searches the web for his writing. He finds blogs, journals, articles, essays, fragments and memories.


Continuities: Philippine cinema yesterday and today
Filipino filmmaker Raymond Red considers his work and Filipino cinema's history and future in an in-depth interview with Gaik Cheng Khoo.


You can never go home
To mark his tenth year in Singapore, Ben Slater presents seven fragments about nostalgia in the films of Royston Tan
MORE FEATURES / INTERVIEWS
A Conversation with Sasithorn Ariyavicha pt.1
A Conversation with Amir Muhammad
A Conversation with Pen-Ek Ratanaruang
A Conversation with Sasithorn Ariyavicha pt.2
A Conversation with John Torres
A Conversation with Apichatpong Weerasethakul
A Conversation with Edwin
A Conversation with Ato Bautista
A Conversation with Faozan Rizal
Words from that day
A Conversation with Philip Cheah
A Conversation with Lav Diaz
Continuities: Philippine cinema yesterday and today
A Conversation with Kong Rithdee
A Conversation with the Editors of Bioscope Magazine
Only light and memory
Rethinking Cinemas of Asia: Preliminary Thoughts
Notes Made in the Dark
Toward New Ways of Seeing Southeast Asian Cinema
Whose Terror Is It Anyway?
Gazing with Fresh Eyes
Plural Identities: Reinventions & Revisions in Malaysian Cinema
Mysterious Objects: On the early works of Apichatpong
The Trail of A Million Flowers
Voices of Malaysian Cinema
Speech Acts - Censorship and Documentary Filmmaking in Singapore
Singapore GaGa Tours Singapore
The Face of Auntie Jen
Journal Entry No.2: Wherever You Prosper
Cinema Regained: Classic Filipino Films in Rotterdam
Revolutions Happen Like Refrains in a Song*
Love Letters
Why and for whom do you film today?
You can never go home
Reimagining Moroland: A tale of accidental filmmaking
Alexis links
Art, Entertainment and Politics
Indonesian Cinema: A Year in Review
Coming Out of the Film School Closet
Journal Entry No.3: End Credits
Monster!: I survive through other people's memories.
Why and for whom do you write/work today?
Journal Entry No.1: Anticipations of Light
Uruphong Raksasad: Self-sufficiency moviemaking

Singapore Dreaming
The HDB and beyond (or beyond the HDB): Vinita Ramani looks at the latest local film to have made noise in Singapore.
Country: Singapore
   
Uhaw Sa Pag Ibig
Forgotten Silver: Critic Noel Vera continues his chronicles of little known gems from the quiet man, Mario O'Hara.
Country: Philippines
   
Agonistes
Wiwat Lertwiwatwongsa AKA Filmsick tackles an extract from a work-in-transformation by Lav Diaz
Country: Philippines
   
Chemman Chaalai
Deepak Kumaran Menon's "Chemman Chaalai": Beyond the Gravel Road.
Country: Malaysia
   
Rabun
The vision is blurred, but the heart is clear: Hassan Muthalib offers an appreciation of Yasmin Ahmad's "Rabun".
Country: Malaysia
   
 

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