Today is Thursday, September 29, 2016
 
05.17.12
We've just launched 'Issue Six' of Criticine, a curated series of articles, interviews and reviews that explore films and film-makers from the ...
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Ben and May

08.03.10
Criticine contributor. academic and critic Benjamin McKay died of a cardiac arrest on the 18th July. Much-loved by students and friends Benjamin will be sorely missed.

Ben and May

07.01.10
Hello.

We've just posted an update to Criticine: Love Letters. Four new letters declare love to objects of desire from the Phillipines, Indonesia, Thailand and Malaysia. Then we have a wide-ran...
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Ben and May

01.28.10
Welcome to Criticine. Welcome to Love Letters.

Criticine was founded in October 2005 by Alexis A. Tioseco and was "dedicated to pushing forth intelligent discourse on Southeast Asian cinema". ...
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May Ingawanij

01.05.10
Update coming soon...

Ben Slater

List all articles from this country:

 


Alexis links
To mark the anniversary of Alexis' death, Ben Slater searches the web for his writing. He finds blogs, journals, articles, essays, fragments and memories.


Continuities: Philippine cinema yesterday and today
Filipino filmmaker Raymond Red considers his work and Filipino cinema's history and future in an in-depth interview with Gaik Cheng Khoo.


You can never go home
To mark his tenth year in Singapore, Ben Slater presents seven fragments about nostalgia in the films of Royston Tan
MORE FEATURES / INTERVIEWS
A Conversation with Edwin
A Conversation with Lav Diaz
Only light and memory
A Conversation with the Editors of Bioscope Magazine
A Conversation with Kong Rithdee
A Conversation with Sasithorn Ariyavicha pt.1
A Conversation with Faozan Rizal
A Conversation with Philip Cheah
A Conversation with Pen-Ek Ratanaruang
A Conversation with Amir Muhammad
A Conversation with John Torres
A Conversation with Sasithorn Ariyavicha pt.2
A Conversation with Apichatpong Weerasethakul
Words from that day
A Conversation with Ato Bautista
Continuities: Philippine cinema yesterday and today
Toward New Ways of Seeing Southeast Asian Cinema
Revolutions Happen Like Refrains in a Song*
Plural Identities: Reinventions & Revisions in Malaysian Cinema
You can never go home
Why and for whom do you film today?
Monster!: I survive through other people’s memories.
Journal Entry No.2: Wherever You Prosper
Art, Entertainment and Politics
Alexis links
Journal Entry No.1: Anticipations of Light
Mysterious Objects: On the early works of Apichatpong
Journal Entry No.3: End Credits
Voices of Malaysian Cinema
Reimagining Moroland: A tale of accidental filmmaking
Cinema Regained: Classic Filipino Films in Rotterdam
The Face of Auntie Jen
Rethinking Cinemas of Asia: Preliminary Thoughts
Love Letters
Singapore GaGa Tours Singapore
The Trail of A Million Flowers
Notes Made in the Dark
Uruphong Raksasad: Self-sufficiency moviemaking
Indonesian Cinema: A Year in Review
Whose Terror Is It Anyway?
Why and for whom do you write/work today?
Speech Acts – Censorship and Documentary Filmmaking in Singapore
Gazing with Fresh Eyes
Coming Out of the Film School Closet

Be With Me
Khoo Gaik Cheng samples Cannes favourite Eric Khoo's lastest, "Be With Me"
Country: Singapore
   
Sanctuary
Ho Yuhang's "Sanctuary": The Other Side of Malaysia.
Country: Malaysia
   
Singapore Dreaming
The HDB and beyond (or beyond the HDB): Vinita Ramani looks at the latest local film to have made noise in Singapore.
Country: Singapore
   
The Last Communist
Amir Mummad, touted in Film Comment magazine as "the world's funniest Muslim filmmaker", delivers his latest essay film, "The Last Communist", on Chin Peng.
Country: Malaysia
   
Uhaw Sa Pag Ibig
Forgotten Silver: Critic Noel Vera continues his chronicles of little known gems from the quiet man, Mario O'Hara.
Country: Philippines
   
 

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