Today is Thursday, August 28, 2014
 
05.17.12
We've just launched 'Issue Six' of Criticine, a curated series of articles, interviews and reviews that explore films and film-makers from the ...
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Ben and May

08.03.10
Criticine contributor. academic and critic Benjamin McKay died of a cardiac arrest on the 18th July. Much-loved by students and friends Benjamin will be sorely missed.

Ben and May

07.01.10
Hello.

We've just posted an update to Criticine: Love Letters. Four new letters declare love to objects of desire from the Phillipines, Indonesia, Thailand and Malaysia. Then we have a wide-ran...
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Ben and May

01.28.10
Welcome to Criticine. Welcome to Love Letters.

Criticine was founded in October 2005 by Alexis A. Tioseco and was "dedicated to pushing forth intelligent discourse on Southeast Asian cinema". ...
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May Ingawanij

01.05.10
Update coming soon...

Ben Slater

List all articles from this country:

 


The Face of Auntie Jen
The transformative power of cinema is explored by Richard Lowell MacDonald as he gazes at one of Apichatpong's most distinctive performers. Jenjira Pongpas.


Continuities: Philippine cinema yesterday and today
Filipino filmmaker Raymond Red considers his work and Filipino cinema's history and future in an in-depth interview with Gaik Cheng Khoo.


You can never go home
To mark his tenth year in Singapore, Ben Slater presents seven fragments about nostalgia in the films of Royston Tan
MORE FEATURES / INTERVIEWS
A Conversation with Apichatpong Weerasethakul
Only light and memory
Continuities: Philippine cinema yesterday and today
A Conversation with Kong Rithdee
A Conversation with Sasithorn Ariyavicha pt.1
A Conversation with John Torres
A Conversation with the Editors of Bioscope Magazine
Words from that day
A Conversation with Lav Diaz
A Conversation with Edwin
A Conversation with Amir Muhammad
A Conversation with Ato Bautista
A Conversation with Pen-Ek Ratanaruang
A Conversation with Philip Cheah
A Conversation with Sasithorn Ariyavicha pt.2
A Conversation with Faozan Rizal
Rethinking Cinemas of Asia: Preliminary Thoughts
Voices of Malaysian Cinema
Why and for whom do you film today?
The Trail of A Million Flowers
Monster!: I survive through other people’s memories.
Alexis links
Art, Entertainment and Politics
The Face of Auntie Jen
Why and for whom do you write/work today?
Gazing with Fresh Eyes
Speech Acts – Censorship and Documentary Filmmaking in Singapore
Singapore GaGa Tours Singapore
Whose Terror Is It Anyway?
Plural Identities: Reinventions & Revisions in Malaysian Cinema
Coming Out of the Film School Closet
Notes Made in the Dark
Love Letters
You can never go home
Toward New Ways of Seeing Southeast Asian Cinema
Journal Entry No.1: Anticipations of Light
Reimagining Moroland: A tale of accidental filmmaking
Journal Entry No.2: Wherever You Prosper
Indonesian Cinema: A Year in Review
Uruphong Raksasad: Self-sufficiency moviemaking
Revolutions Happen Like Refrains in a Song*
Cinema Regained: Classic Filipino Films in Rotterdam
Journal Entry No.3: End Credits
Mysterious Objects: On the early works of Apichatpong

Bakit Bughaw ang Langit?
The court of public opinion: Lost O'Hara masterpiece is both a love story and an examination of a small Filipino community.
Country: Philippines
   
Autohystoria
In this extract from his article on Independent Philippine cinema for the book Glimpses of Freedom, the late Alexis Tioseco narrates the haunting sequences of Raya Martin's Autohystoria.
Country: Philippines
   
Book: Singapore Cinema
Benjamin Mckay serves as our critical guide through Raphael Millet's handsomely produced book, "Singapore Cinema"
Country: Singapore
   
Be With Me
Khoo Gaik Cheng samples Cannes favourite Eric Khoo's lastest, "Be With Me"
Country: Singapore
   
Min
Min: Everyday life and Thirdspace. Khoo Gaik Cheng journeys inside the meanings found inbetween.
Country: Malaysia
   
 

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