Today is Thursday, December 08, 2016
 
05.17.12
We've just launched 'Issue Six' of Criticine, a curated series of articles, interviews and reviews that explore films and film-makers from the ...
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Ben and May

08.03.10
Criticine contributor. academic and critic Benjamin McKay died of a cardiac arrest on the 18th July. Much-loved by students and friends Benjamin will be sorely missed.

Ben and May

07.01.10
Hello.

We've just posted an update to Criticine: Love Letters. Four new letters declare love to objects of desire from the Phillipines, Indonesia, Thailand and Malaysia. Then we have a wide-ran...
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Ben and May

01.28.10
Welcome to Criticine. Welcome to Love Letters.

Criticine was founded in October 2005 by Alexis A. Tioseco and was "dedicated to pushing forth intelligent discourse on Southeast Asian cinema". ...
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May Ingawanij

01.05.10
Update coming soon...

Ben Slater

List all articles from this country:

 


Alexis links
To mark the anniversary of Alexis' death, Ben Slater searches the web for his writing. He finds blogs, journals, articles, essays, fragments and memories.


Continuities: Philippine cinema yesterday and today
Filipino filmmaker Raymond Red considers his work and Filipino cinema's history and future in an in-depth interview with Gaik Cheng Khoo.


You can never go home
To mark his tenth year in Singapore, Ben Slater presents seven fragments about nostalgia in the films of Royston Tan
MORE FEATURES / INTERVIEWS
A Conversation with the Editors of Bioscope Magazine
A Conversation with Edwin
A Conversation with Ato Bautista
A Conversation with Apichatpong Weerasethakul
A Conversation with Amir Muhammad
A Conversation with Kong Rithdee
A Conversation with Sasithorn Ariyavicha pt.2
A Conversation with Philip Cheah
A Conversation with John Torres
A Conversation with Faozan Rizal
A Conversation with Lav Diaz
A Conversation with Pen-Ek Ratanaruang
Words from that day
Only light and memory
Continuities: Philippine cinema yesterday and today
A Conversation with Sasithorn Ariyavicha pt.1
Why and for whom do you write/work today?
Singapore GaGa Tours Singapore
Rethinking Cinemas of Asia: Preliminary Thoughts
The Face of Auntie Jen
Journal Entry No.2: Wherever You Prosper
Gazing with Fresh Eyes
Plural Identities: Reinventions & Revisions in Malaysian Cinema
The Trail of A Million Flowers
You can never go home
Journal Entry No.1: Anticipations of Light
Mysterious Objects: On the early works of Apichatpong
Coming Out of the Film School Closet
Indonesian Cinema: A Year in Review
Journal Entry No.3: End Credits
Why and for whom do you film today?
Whose Terror Is It Anyway?
Toward New Ways of Seeing Southeast Asian Cinema
Alexis links
Love Letters
Speech Acts – Censorship and Documentary Filmmaking in Singapore
Uruphong Raksasad: Self-sufficiency moviemaking
Cinema Regained: Classic Filipino Films in Rotterdam
Revolutions Happen Like Refrains in a Song*
Monster!: I survive through other people’s memories.
Art, Entertainment and Politics
Voices of Malaysian Cinema
Notes Made in the Dark
Reimagining Moroland: A tale of accidental filmmaking

Syndromes and A Century
Kong Rithdee describes Apichatpong Weerasethakul's Cinema of Impermanence.
Country: Thailand
   
Be With Me
Khoo Gaik Cheng samples Cannes favourite Eric Khoo's lastest, "Be With Me"
Country: Singapore
   
Bona
Bona: martyr or monster? Noel Vera revisits Lino Brocka's classic tale of obsession and stardoom.
Country: Philippines
   
The Last Communist
Amir Mummad, touted in Film Comment magazine as "the world's funniest Muslim filmmaker", delivers his latest essay film, "The Last Communist", on Chin Peng.
Country: Malaysia
   
Mukhsin
In this extract from his article on the Malaysian director for the book Glimpses of Freedom, the late Benjamin McKay explores what makes Mukhsin so distinctively a Yasmin Ahmad film.
Country: Malaysia
   
 

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