Today is Thursday, October 23, 2014
 
05.17.12
We've just launched 'Issue Six' of Criticine, a curated series of articles, interviews and reviews that explore films and film-makers from the ...
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Ben and May

08.03.10
Criticine contributor. academic and critic Benjamin McKay died of a cardiac arrest on the 18th July. Much-loved by students and friends Benjamin will be sorely missed.

Ben and May

07.01.10
Hello.

We've just posted an update to Criticine: Love Letters. Four new letters declare love to objects of desire from the Phillipines, Indonesia, Thailand and Malaysia. Then we have a wide-ran...
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Ben and May

01.28.10
Welcome to Criticine. Welcome to Love Letters.

Criticine was founded in October 2005 by Alexis A. Tioseco and was "dedicated to pushing forth intelligent discourse on Southeast Asian cinema". ...
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May Ingawanij

01.05.10
Update coming soon...

Ben Slater

List all articles from this country:

 


The Face of Auntie Jen
The transformative power of cinema is explored by Richard Lowell MacDonald as he gazes at one of Apichatpong's most distinctive performers. Jenjira Pongpas.


Continuities: Philippine cinema yesterday and today
Filipino filmmaker Raymond Red considers his work and Filipino cinema's history and future in an in-depth interview with Gaik Cheng Khoo.


You can never go home
To mark his tenth year in Singapore, Ben Slater presents seven fragments about nostalgia in the films of Royston Tan
MORE FEATURES / INTERVIEWS
A Conversation with Amir Muhammad
A Conversation with Apichatpong Weerasethakul
A Conversation with Kong Rithdee
Words from that day
Continuities: Philippine cinema yesterday and today
A Conversation with the Editors of Bioscope Magazine
A Conversation with Edwin
A Conversation with Ato Bautista
A Conversation with Sasithorn Ariyavicha pt.2
Only light and memory
A Conversation with John Torres
A Conversation with Faozan Rizal
A Conversation with Lav Diaz
A Conversation with Philip Cheah
A Conversation with Pen-Ek Ratanaruang
A Conversation with Sasithorn Ariyavicha pt.1
Monster!: I survive through other people’s memories.
Journal Entry No.1: Anticipations of Light
Voices of Malaysian Cinema
The Face of Auntie Jen
Speech Acts – Censorship and Documentary Filmmaking in Singapore
Why and for whom do you write/work today?
Cinema Regained: Classic Filipino Films in Rotterdam
Mysterious Objects: On the early works of Apichatpong
Toward New Ways of Seeing Southeast Asian Cinema
Revolutions Happen Like Refrains in a Song*
Notes Made in the Dark
Art, Entertainment and Politics
Whose Terror Is It Anyway?
Alexis links
Uruphong Raksasad: Self-sufficiency moviemaking
Coming Out of the Film School Closet
Gazing with Fresh Eyes
Journal Entry No.3: End Credits
Rethinking Cinemas of Asia: Preliminary Thoughts
Indonesian Cinema: A Year in Review
Love Letters
Journal Entry No.2: Wherever You Prosper
You can never go home
Plural Identities: Reinventions & Revisions in Malaysian Cinema
Singapore GaGa Tours Singapore
Reimagining Moroland: A tale of accidental filmmaking
Why and for whom do you film today?
The Trail of A Million Flowers

Bakit Bughaw ang Langit?
The court of public opinion: Lost O'Hara masterpiece is both a love story and an examination of a small Filipino community.
Country: Philippines
   
Agonistes
Wiwat Lertwiwatwongsa AKA Filmsick tackles an extract from a work-in-transformation by Lav Diaz
Country: Philippines
   
Book: Singapore Cinema
Benjamin Mckay serves as our critical guide through Raphael Millet's handsomely produced book, "Singapore Cinema"
Country: Singapore
   
Syndromes and A Century
Kong Rithdee describes Apichatpong Weerasethakul's Cinema of Impermanence.
Country: Thailand
   
Singapore Dreaming
The HDB and beyond (or beyond the HDB): Vinita Ramani looks at the latest local film to have made noise in Singapore.
Country: Singapore
   
 

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