Today is Monday, June 18, 2018
 
05.17.12
We've just launched 'Issue Six' of Criticine, a curated series of articles, interviews and reviews that explore films and film-makers from the ...
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Ben and May

08.03.10
Criticine contributor. academic and critic Benjamin McKay died of a cardiac arrest on the 18th July. Much-loved by students and friends Benjamin will be sorely missed.

Ben and May

07.01.10
Hello.

We've just posted an update to Criticine: Love Letters. Four new letters declare love to objects of desire from the Phillipines, Indonesia, Thailand and Malaysia. Then we have a wide-ran...
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Ben and May

01.28.10
Welcome to Criticine. Welcome to Love Letters.

Criticine was founded in October 2005 by Alexis A. Tioseco and was "dedicated to pushing forth intelligent discourse on Southeast Asian cinema". ...
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May Ingawanij

01.05.10
Update coming soon...

Ben Slater

List all articles from this country:

 


Alexis links
To mark the anniversary of Alexis' death, Ben Slater searches the web for his writing. He finds blogs, journals, articles, essays, fragments and memories.


Continuities: Philippine cinema yesterday and today
Filipino filmmaker Raymond Red considers his work and Filipino cinema's history and future in an in-depth interview with Gaik Cheng Khoo.


You can never go home
To mark his tenth year in Singapore, Ben Slater presents seven fragments about nostalgia in the films of Royston Tan
MORE FEATURES / INTERVIEWS
A Conversation with Sasithorn Ariyavicha pt.2
A Conversation with Ato Bautista
A Conversation with Kong Rithdee
A Conversation with Faozan Rizal
Continuities: Philippine cinema yesterday and today
A Conversation with Amir Muhammad
A Conversation with Apichatpong Weerasethakul
A Conversation with Lav Diaz
A Conversation with the Editors of Bioscope Magazine
Words from that day
Only light and memory
A Conversation with Edwin
A Conversation with Philip Cheah
A Conversation with John Torres
A Conversation with Sasithorn Ariyavicha pt.1
A Conversation with Pen-Ek Ratanaruang
Cinema Regained: Classic Filipino Films in Rotterdam
Why and for whom do you write/work today?
You can never go home
Notes Made in the Dark
Uruphong Raksasad: Self-sufficiency moviemaking
Singapore GaGa Tours Singapore
Love Letters
Plural Identities: Reinventions & Revisions in Malaysian Cinema
Journal Entry No.3: End Credits
Gazing with Fresh Eyes
Monster!: I survive through other people's memories.
Journal Entry No.2: Wherever You Prosper
Toward New Ways of Seeing Southeast Asian Cinema
Art, Entertainment and Politics
Rethinking Cinemas of Asia: Preliminary Thoughts
Revolutions Happen Like Refrains in a Song*
The Face of Auntie Jen
The Trail of A Million Flowers
Coming Out of the Film School Closet
Voices of Malaysian Cinema
Indonesian Cinema: A Year in Review
Whose Terror Is It Anyway?
Alexis links
Journal Entry No.1: Anticipations of Light
Mysterious Objects: On the early works of Apichatpong
Reimagining Moroland: A tale of accidental filmmaking
Why and for whom do you film today?
Speech Acts - Censorship and Documentary Filmmaking in Singapore

Singapore Dreaming
The HDB and beyond (or beyond the HDB): Vinita Ramani looks at the latest local film to have made noise in Singapore.
Country: Singapore
   
Book: Critic After Dark
"Cinema is his love; Philippine cinema his steady girlfriend." Alexis Tioseco reviews Filipino film critic Noel Vera's collected writing, "Critic After Dark".
Country: Philippines
   
Village People Radio Show
Confessions, Testimonies and Social Memory: Vinita Ramani listens on Amir Muhammad's Village People Radio Show.
Country: Malaysia
   
Bona
Bona: martyr or monster? Noel Vera revisits Lino Brocka's classic tale of obsession and stardoom.
Country: Philippines
   
Bakit Bughaw ang Langit?
The court of public opinion: Lost O'Hara masterpiece is both a love story and an examination of a small Filipino community.
Country: Philippines
   
 

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